Release date: Out Now!

Review

“Take No Prisoners” opens with a blast of rich, classic-style harmonies that immediately set the stage; bold, confident, and full of promise. It quickly shifts gears into the first verse, where sharp, commanding vocals cut through thick, chugging guitars and a rhythm section that drives everything forward with serious weight. There’s a subtle surprise in the bridge: light keyboard textures that shimmer just beneath the surface. It’s a small detail, but it adds an unexpected layer of atmosphere.

The chorus, though, is where the track truly shines; an explosive rallying cry of “take no prisoners!” backed by massive group chants that feel tailor-made for a live crowd. It’s powerful, catchy, and impossible not to join in on. A melodic, thrash-tinged section follows, acting as a tight and effective bridge before the structure loops back around. The song sticks to a familiar verse-bridge-chorus format, but it’s executed with such confidence and energy that it feels anything but formulaic.

Then comes a striking shift: a graceful breakdown led by soft synths, adding a cinematic touch to the mix. Singing lead guitars glide in, soon joined by pounding kick drums that build the tension beautifully. And then the solo. A searing, high-impact guitar solo that hits like a detonation. It’s a standout moment, and honestly, it could’ve gone on even longer. Just when you think it’s peaked, a synth solo enters the fray, adding a dash of power metal flair and reinforcing the band’s genre-blending instincts. We’re brought back for one final chorus, one last chance to shout it outbefore the track wraps up with the same fire it started with.

Legacy opens with a striking stereo interplay—a left-panned riff and choppy rhythm guitar on the right that soon lock into harmony. Soft synths drift underneath, creating a moody, cinematic backdrop. The verse introduces strong, commanding vocals, while the bridge switches things up with group-spoken chants that feel tailor-made for live crowd energy.

The chorus, while passable, doesn’t quite land—and the vocals feel shaky, likely due to the singer’s limitations rather than stylistic intent. After the second round, a brief bass break leads into a stunning lead section: slow, soaring guitar lines over ambient synths and airy backing textures. It’s a moment of real scale—evocative of fantasy landscapes, almost Skyrim-like. A short vocal return slightly breaks the spell, but another burst of lead guitar brings it back before the final chorus and a chant of the title closes the track.

“Nosferatu” opens with a harmonised guitar lead tinged with a neoclassical flair, setting a dramatic tone. The first verse introduces a lower, more menacing vocal delivery, paired with fiery double kicks and eerie, organ-style keys that deepen the song’s gothic atmosphere.A brief bridge lifts the vocals into a higher register before launching into the chorus, where the tempo surges, the organ swells, and the vocals brighten. From that point on, the vocals stay in the upper range across the verses, bridges, and choruses, adding contrast to the track’s darker instrumental undercurrent.

Midway through, the pace drops into a slow, chugging section, with the drums swaying heavily beneath thick synth beds—evoking a sound reminiscent of classic Manowar. The vocals shift again, balancing between brooding and bold, capped off with a powerful scream that leads into a beautifully airy solo section. Light drums and bass give the guitars space to shine, and a touch of wah adds flavour as the solo intensifies.Just when you think the synths are done, they return for a short but focused solo of their own, followed by another round of harmonised guitar leads. The final chorus brings everything full circle before the track winds down with a natural, satisfying close.

End of Days hits with unapologetic force—a solid, no-frills track that wears its passion on its sleeve. The band clearly believes in what they’re playing, and that conviction powers every riff and rhythm. From the outset, the song comes at you hard and heavy, anchored by a classic, straightforward structure that keeps things tight and focused. Yet within that framework, there’s just enough melodic nuance to keep it interesting—subtle ideas weaving in and out at just the right moments. The bass gets its time to shine with a few standout moments, adding depth without overstepping. The guitar solo work, as expected, delivers with flair and precision. A brief synth solo adds a surprising twist before giving way to majestic, harmonised guitars—a definite highlight that elevates the track. We’re then pulled back into the final chorus, closing the loop on a track that’s as confident as it is cohesive.

Land of the King feels like a jolt of pure adrenaline; an electrifying shift in pace that injects fresh energy into the album. From the very first note, it’s clear this track means business. The intro blazes in with scorching, harmonised guitar licks that practically leave burn marks and this is the kind of thing the band excels at. The tempo is noticeably faster than earlier tracks, and it’s a welcome change. There’s a sense of urgency and intent here, with every instrument hitting hard and tight. When the chorus lands, it’s bolstered by layered group shouts that invite you to pick your side—lead or crowd, either way you’re in for a ride.The harmonised guitars make a triumphant return before launching into another storming verse, bridge, and chorus. Synths remain subtle but effective, adding atmosphere and weight without stealing the spotlight.

Midway through, the track slows down, shifting into a darker vocal tone that adds contrast and tension. Then like fireworks the solo erupts. It’s arguably the best on the album: a dazzling blend of technical flair and melodic harmony. The soaring scales and flurries of notes are killer, and when it transitions into a slower, harmonised section, the synths re-emerge to elevate the mood even further. This is the band in their element; tight, dynamic, and unapologetically bold. As expected, we’re treated to one final, thunderous chorus to close out the track in style.

Now we are onto the live part of the EP and first up is the track Valhalla (Live). The live production is rough and raw adding to the feel of the music. It opens with galloping bass lines, rolling snares and simple chords before the main riff work comes in. The intro charges forward with light synth notes adding a sparkle to the music. The verse opts for a gallop in the guitar and bass work and synths help to carry thing along. The bridge section changes the vocal style adding a bit of grit before we ht teh chorus which has that uplifting feel. The background vocals are bit shaky but It is live so I wil pass on that. One thing I will say is there is a bit of a Manowar feel even its just a little bit but i actually think that is pretty ace. Eventualluy we land on another fiery solo section but this time the guitarists take turns shredding delivering the metal. There is another instrumental break where the band try to get some crowd participation. We go round a third time for another verse, bridge and chorus.

Burning Hands (Live) I am not sure what this was supposed to add to this EP but would have been better to leave it off.

Theatre Madness (Live) brings the EP to a thunderous close, pulsing with the same high-octane energy that made “Valhalla” such a standout. It’s fast, furious, and full of drive—charging forward with a clear sense of purpose.The hi-hat patterns are crisp and nimble, adding a sharp edge to the rhythm section, while the synths lift the track skyward, giving it a soaring, almost cinematic quality. There’s a real sense of momentum here, as if the song is determined to take flight and never look back.While it follows the familiar Valorheart structure, the solo section is where it truly shines. A whirlwind synth solo kicks things off before giving way to smouldering harmonised guitar leads—this is Valorheart doing what they do best, and doing it with style.It’s easy to imagine this track becoming a live favourite—built for fist-pumping, headbanging, and full-throttle crowd energy. A fitting finale that doesn’t just wrap things up—it ignites them.

Conclusion

Valorheart’s EP is a strong showcase of energy, tight musicianship, and standout guitar work. The solos are consistently the high point—fiery, melodic, and full of character—giving the tracks their most memorable moments. While the vocals are solid, they don’t always command the spotlight, but group shouts and clever layering help boost their impact. The synths are used tastefully, adding atmosphere in the background and occasionally stepping forward to great effect.

Though the band leans heavily on familiar song structures, their talent is clear—and when they stretch out, even briefly, the results are exciting. With a bit more boldness in their songwriting, Valorheart could take their sound to the next level. This EP shows they’re more than ready.

TheNwothm Score: 7.5/10

Links

Youtube:https://www.youtube.com/@ValorHeart.Official

Instagram:https://www.instagram.com/valorheart.official/

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